Pop Culture Watch
So, last night was a big night for TV. A main course of Elite Eight followed by the dessert of the Rome and Battlestar Galactica finales. Rome's was actually the series finale, and while I'm sad to see it go, I'm glad that it's one of the few shows that can end on a high note. Only HBO could produce a show like Rome (for numerous reasons; not just the content, but nobody else could justify spending $100M for a single season of TV), and despite Season 2 having a bit of a rushed feel to it (scuttlebutt is that the producers wanted this season to be split between two seasons, with S2 covering up to Brutus's defeat, and S3 being the Octavian/Antony smackdown). But the show has to end here, as they simply ran out of history; 40 years of peacetime wouldn't exactly make for compelling TV. This is one that's being bought the second it comes out on DVD.
Season 3 of Battlestar Galactica has shown, most agree, a dramatic dip in quality. After an incredible opening 4 episodes (Exodus: Part II was one of the best single episodes of TV that I've ever seen), insufficient planning, muddled direction, poor setups, and a few spectacularly weak episodes have caused Season 3 to drag. It hasn't quite entered "It's Dead To Me" status as Lost did, but it dipped dangerously close with that stupid Dr. Helo, Medicine Bitch episode. The finale was ... an interesting experiment, and, knowing that the choices they made were going to cause a substantial minority of viewers to accuse the show of having jumped the shark, did their best to pre-empt a lot of those concerns. The Kangaroo Kourt was a Kangaroo Kourt? That was Lee's whole point when he was pointing out that they didn't have a civilization, so much as a gang that was pretending to be one. The Final 4 revelation didn't make any sense? Tigh sure as hell seemed to agree. I'll still be watching when S4 comes back on, but it won't quite be with the same excitement that I approached previous seasons with.
Most exciting has been my discovery of The Lies of Locke Lamora, a debut fantasy book by Scott Lynch that is well on its way to being an instant classic. Not only is it an incredible first book, it's an incredible book, period. The fact that Lynch is only 28 (actually only a couple of weeks older than I am) is all the more impressive. This is a cat that will be delivering imminently readable books for a very long time.
Where to begin on Locke Lamora? It's not exactly like any book you've ever read; fantasy for the modern era, with a contemporary feel and a cracking pace. It tells the story of a thief named Locke Lamora in the city of Camorr, a low-magic fantasy metropolis, built and described so vividly and specifically as to leap out of the page into your imagination. With the thieves of Camorr organized into a loose-knit gang under the Capa Barsavi, a Secret Peace has been formed between the thieves and the nobility of the city, whereby they are allowed to continue their thieving while they remain outside of the targets chosen by Barsavi's thieves. Lamora's gang, the Gentlemen Bastards, including the twins Calo and Galdo, the irrepressible Bug, and the large-but-fierce Jean Tannen, exempts themselves from the secret peace, running audacious confidence scams that target the city's nobility exclusively, and that have built for him an enormous fortune. But with a mysterious assassin known as the Gray King taking down Barsavi's lieutenants, Locke finds himself caught in a dangerous game that puts every last one of his skills as a con artist to the test.
It's hard to say what's the most appealing aspect of the book; the elaborate and imaginative worldbuilding, the modern dialogue (it's a bit unnerving at first to have characters calling each other "cocksuckers" and "motherfuckers", but it fucking works), or the blistering pace that the novel sets. The fourth act is by far the strongest, in which Locke is set into a tailspin of, as the act title puts it, of desperate improvisation, perhaps the strongest sequence being one in which the acquisition of a set of expensive clothing runs into setback after setback with a ticking clock counting.
Highly recommended. Although The Lies of Locke Lamora functions adequately as a standalone, Lynch is promising several more books set in his elaborate world, with Red Sea under Red Skies due on July 31 of this year.